Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I WON'T BOW DOWN TO THE GOD OF THIS WOLD FALSE PROPHETS WHO SELL THEIR SOULS FOR SILVER AND GOLD I WON'T REST UNTIL YOUR IDOLS FALL TO THE GROUND JUST TRY AND STOP ME JUST TRY AND STOP ME NOW SO TAKE YOUR BEST SHOT SHOW ME WHAT YOU GOT SO TAKE YOUR BEST SHOT IS THAT ALL YOU GOT I'M NOT GOING TO BE AFRAID TONIGHT, I'M NOT GONNA RUN AWAY I'M NOT GOING TO BE AFRAID TONIGHT I'M READY SHOW ME WHAT YOU GOT YOU THINK YOU'RE SO TOUGH TAKE YOUR BEST SHOT IS THAT ALL YOU GOT COME ON, COME ON IF GOD IS FOR US WHO CAN BE AGAINST US
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